When
taking portraiture the rule of thumb here is to have your subject in full focus
and the background out of focus since you want the emphasis to be on the person
rather than the location; and you don’t want distracting elements in the frame.
You might choose a particular background based on how it might look blurred,
but the emphasis will always be on the subject.
With
a group shot you usually want to keep everything sharp. You also want to pay
attention to the type and amount of light around. You control the amount of
light striking your subject by manoeuvring them and changing their position in
relationship to yours, being able to choose the angle at which light strikes
your subject is what allows you more control over the final result.
It
is this requirement for control over lighting that has bought Studio Portrait
Photography into its own. Here using the increasingly sophisticated cameras and
lighting equipment available, the imaginative photographer can experiment to
their hearts content.
Focus
in portraiture is the Eyes, with the camera at eye-level and if not, ensuring
the eyes is still looking into the camera. The aim is to enhance and highlight
the positives in the facial features while playing-down the negatives. A full
portrait is where the whole body is also included in the focus and, photographers
have responded by coming up with props to enhance the other areas of the body.
These includes things like chairs, stands and beds, to name a few.
The
camera and lighting equipment available, for example the use of different
coloured backlights coupled, with the props; in which you are only limited by
your imagination, has allowed photographer to be as expressive as they choose
in generating, or accentuating subjects based on their artistic interpretation
of the subject’s feature.
Sophisticated
lighting has made Studio Portrait Photography an artform and photographers are
now able to use the finer control they have over lighting to try and engage
audience by presenting their own unique artistic interpretation of the subject
and thereby generate emotions in their audience.
To
be a portrait photographer you have to have very good communication skills, you
have to be able to project confidence, assurance and relaxation so as to make
your subject/s feel relaxed, comfortable and safe enough to be vulnerable or
let down their guards. Telling funny jokes during multiple camera capture is a
very good way of getting natural looking shots. For the family portrait
photographer, more emphasis is in dealing with kids, while a pet portrait
photographer must love animals.
Tips
Prepare;
where are you going to do the shoot, indoors or out door. Outdoors; what will
the light be like at that time of the day? What will the weather be like, do
you need to reserve an indoor location? What to do to ensure there is enough
lighting. Scout the area, which background do you want to use? Indoors; what
kind of lights do you have available? do you need batteries or is electricity
assured. Which equipment; cameras, batteries, lens, memory card. You can either
use prime or zoom lens with large aperture; the best is from f/1.8, because it
is this wide aperture that allows the shallow depth of field (bokeh) that is so
prized in portrait photography.
Nero
Benga is a photography enthusiast with over five years experience teaching
people how to take good photographs. He lives at the airport.
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